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Synth and Software Newsroom

Oberheim Returns…Releases First New Synth In 35 Years!

Geary Yelton

Synth and Software, September 2020

Nick Batzdorf

Michael Whalen on Imaginary Trains, Synths, Dolby Atmos/Apple Spatial Audio, and Crossing the World

Mark Jenkins

Arturia Augmented Strings, and V-Collection 9

Jim Aikin

Should Vintage Synth Recreations Incorporate 50 Years of Improvements?

Marty Cutler

Sonic Couture Geosonic II – Global Soundscape Synthesis (The Synth and Software review)

Gerry Bassermann

Composer’s Forum: What Makes a Good Song Idea?

Chris Meyer

Chris Meyer Presents at ARP 2500 ‘Synthposium’ – the Modular Synth’s 50th Anniversary

John Krogh

Audio Ollie LA Modern Percussion: Exclusive Synth and Software Review

Kays Al-Atrakchi

Best Service and Sonuscore ELYSION II – The Encounter Brings New Grit and Impact

David Battino

ArduTouch Puts Way-Cool Sounds in Your Hand

Drew Schlesinger

Synth and Software’s Top 10 Synthesists

Rob Shrock

Favorite Piano Sample Libraries: New Synth and Software Series

Jay Asher

Synth and Software Review: Kirk Hunter’s Latest String Quintet Library

Chris Stack

Three Vignettes for Moog Subharmonicon and ASM Hydrasynth

Jeff Burger

Superior Drummer 3 Orchestral Edition Review

Roger Linn

The Allure of Physical Modeling

Erik Hawk

The Behringer MonoPoly 4-Voice Analog Synth Video Review and Demo

Kim Bjørn

Free Audio Download: The Story of Bob Moog

Markkus Rovito

Korg Volca Nubass reviewed by Markkus Rovito

Patrice Devincentis

Pioneers of Electronic Music: Oram, Anderson, and Dudley

John McJunkin

Cherry Audio Quadra – the Synth and Software Review

Paul Lehrman

The Kvetch: Love Reason, Hate The New Version

Malcolm Doak

Curio Cabinet: Meico Electronics Patch Commander & MIDI Commander (c.1987)

James Rotondi

UVI Key Suite Bundle Edition Review

Mike Levine

Review: Arturia 3 Delays You Will Actually Use

Jim Combs

Korg ARP 2600 FS: A Long-Awaited​ Wish Comes True

Stephen Limbaugh

7.2 Steps To Heaven: Dolby ATMOS and Apple Spatial Audio

Michael Whalen

How to Design Sounds Like a Film Composer

Alan S. Lenhoff and David E. Robertson

Collecting Keys: The Value of Vintage Instruments

Clifton Develle Cameron

Cherry Audio Voltage Modular 2 Review

Gino Robair

This Month’s Module: Qu-bit Electronix Chord v2 Review

MIDI Manufacturers Association (MMA)

Supercharge Your Creativity by Exploring the Depths of MIDI

Drew Raison

Whatever Happened to Keith Emerson’s Moog?

Tom Sailor

Realitone Realivox Blue Review

Guest Contributor

From the Book PATCH & TWEAK: Random Sources

Bill Kopp

Dan Lacksman: The Electronic System Man

Don Slepian

Max Mathews and Me

Jerry Kovarsky

Synth and Software’s Top 10 Synth Soloists

Dan Simpson

ASM Hydrasynth Desktop Review

Larry The O

Acoustic Appropriation

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