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Synth and Software Newsroom

Alan R. Pearlman Foundation event to celebrate Fifty Years of ARP

Synth and Software, September 2020

Behringer Beat: 960 Sequential Controller Review

Modular Synthesis for Beginners: Wavetable Synthesis

In Session Audio Riff Generation 2: Outside In Edition Review

Gerry Bassermann

Composer’s Forum: What Makes a Good Song Idea?

This Month’s Module:  MOK Waverazor Dual Oscillator

Drew Schlesinger

The Boston School of Electronic Music 1972–1979

In Session Audio Drumatic Creator Review

Bat Utility Belt: Hub Will Set You Free

Plugin Alliance bx_console SSL 9000J Review

Three Vignettes for Moog Subharmonicon and ASM Hydrasynth

The Allure of Physical Modeling

Spitfire Audio Symphonic Motions Review

Korg Volca Nubass reviewed by Markkus Rovito

Celemony Melodyne 5 Review

Patrice Devincentis

Pioneers of Electronic Music: Oram, Anderson, and Dudley

Massive Multichannel Sound on the Waldorf Kyra

Curio Cabinet: Meico Electronics Patch Commander & MIDI Commander (c.1987)

UVI Key Suite Bundle Edition Review

Review: Arturia 3 Delays You Will Actually Use

Korg ARP 2600 FS: A Long-Awaited Wish Comes True

Teaching Electronic Musical Instrument Design

How to Design Sounds Like a Film Composer

Alan S. Lenhoff and David E. Robertson

Collecting Keys: The Value of Vintage Instruments

Clifton Develle Cameron

Cherry Audio Voltage Modular 2 Review

This Month’s Module: Qu-bit Electronix Chord v2 Review

MIDI Manufacturers Association (MMA)

Supercharge Your Creativity by Exploring the Depths of MIDI

Whatever Happened to Keith Emerson’s Moog?

Deskew Technologies Gig Performer 3.8 Review

Realitone Realivox Blue Review

PreSonus Studio One 5 Professional Review

Dan Lacksman: The Electronic System Man

Guest Contributor

From the Book PATCH & TWEAK: Random Sources

Max Mathews and Me

Synth and Software’s Top 10 Synth Soloists

ASM Hydrasynth Desktop Review

Acoustic Appropriation