Synth and Software Newsroom

PreSonus Studio One 5 Delivers New Capabilities, Including MPE

Geary Yelton

Haken Audio’s Edmund Eagan Talks About the Expressive E Osmose

Mark Jenkins

Arturia Keystep Pro Review

Jim Aikin

Modular Synthesis for Beginners: Wavetable Synthesis

Gerry Bassermann

Composer’s Forum: What Makes a Good Song Idea?

Marty Cutler

Applied Acoustics Systems Ultra Analog VA-3 Review

Chris Meyer

This Month’s Module:
 SynthTech E520 Hyperion Processor

Drew Schlesinger

Florian Schneider: The Man Behind the Machines

John Krogh

ProjectSAM Symphobia 4: Pandora Review

David Battino

Bat Utility Belt: SparkFun Tsunami Super WAV Trigger

Chris Stack

Arturia MatrixBrute CV Sequencing for Non-Beginners

Rob Shrock

PSPaudioware PSP InfiniStrip Review

Roger Linn

The Allure of Physical Modeling

Markkus Rovito

Korg Volca Nubass reviewed by Markkus Rovito

Patrice Devincentis

Pioneers of Electronic Music: Oram, Anderson, and Dudley

Jay Asher

Top 10 Apple Logic Pro X Workflow Tips

Erik Hawk

Massive Multichannel Sound on the Waldorf Kyra

Jeff Burger

Toontrack EZbass Review

Mike Levine

Review: Arturia 3 Delays You Will Actually Use

Paul Lehrman

Teaching Electronic Musical Instrument Design

James Rotondi

EastWest/Quantum Leap Hollywood Backup Singers Review

Malcolm Doak

Curio Cabinet: Yamaha MCS2 MIDI Control Station (1986)

Michael Whalen

How to Design Sounds Like a Film Composer

Alan S. Lenhoff and David E. Robertson

Collecting Keys: The Value of Vintage Instruments

Drew Raison

Whatever Happened to Keith Emerson’s Moog?

Gino Robair

This Month’s Module: Qu-bit Electronix Chord v2 Review

MIDI Manufacturers Association (MMA)

Supercharge Your Creativity by Exploring the Depths of MIDI

Tom Sailor

Realitone Realivox Blue Review

Bill Kopp

Dan Lacksman: The Electronic System Man

Guest Contributor

From the Book PATCH & TWEAK: Random Sources

Jerry Kovarsky

Synth and Software’s Top 10 Synth Soloists

Don Slepian

Max Mathews and Me

Dan Simpson

ASM Hydrasynth Desktop Review

Larry The O

Acoustic Appropriation