Synth and Software Newsroom

BLEASS Spectral Resonator – That Robotic Sound

Nick Batzdorf

Synth Repairs: Long Waits, High Prices

Geary Yelton

Native Instruments Absynth 6: the Synth and Software Review

Mark Jenkins

Jordan Rudess – the Synth and Software Interview

Jim Aikin

u-he Zebra3 – the Synth and Software Review

Marty Cutler

The Great Synth and Software Sampled Banjo Roundup

Kays Al-Atrakchi

Native Instruments Session Bassist – Jam Bass: the Synth and Software Review

John Krogh

Spectrasonics Omnisphere 3: the Synth and Software Review

Gerry Bassermann

Composer’s Forum: What Makes a Good Song Idea?

Chris Meyer

Chris Meyer Presents at ARP 2500 ‘Synthposium’ – the Modular Synth’s 50th Anniversary

David Battino

ArduTouch Puts Way-Cool Sounds in Your Hand

John McJunkin

Presonus HD8 USB-C Audio Interface: the Synth and Software Review

Drew Schlesinger

Synth and Software’s Top 10 Synthesists

Rob Shrock

Favorite Piano Sample Libraries: New Synth and Software Series

Jay Asher

Synth and Software Review: Kirk Hunter’s Latest String Quintet Library

Jeff Burger

Fluid Audio FX80 Point Source Studio Monitors – the Discerning Synth and Software Review

Chris Stack

Three Vignettes for Moog Subharmonicon and ASM Hydrasynth

Roger Linn

The Allure of Physical Modeling

Markkus Rovito

Korg Volca Nubass reviewed by Markkus Rovito

Erik Hawk

The Behringer MonoPoly 4-Voice Analog Synth Video Review and Demo

Kim Bjørn

Free Audio Download: The Story of Bob Moog

Patrice Devincentis

Pioneers of Electronic Music: Oram, Anderson, and Dudley

Paul Lehrman

The Kvetch: Love Reason, Hate The New Version

Malcolm Doak

Curio Cabinet: Meico Electronics Patch Commander & MIDI Commander (c.1987)

Jim Combs

Korg ARP 2600 FS: A Long-Awaited​ Wish Comes True

Mike Levine

Review: Arturia 3 Delays You Will Actually Use

James Rotondi

UVI Key Suite Bundle Edition Review

Don Slepian

Max Mathews and Me

Jerry Kovarsky

Synth and Software’s Top 10 Synth Soloists

Drew Raison

Whatever Happened to Keith Emerson’s Moog?

Stephen Limbaugh

7.2 Steps To Heaven: Dolby ATMOS and Apple Spatial Audio

Andy Jones

New Review: Waves StudioVerse and StudioRack Plug-in Chainer

Bill Kopp

Dan Lacksman: The Electronic System Man

Michael Whalen

How to Design Sounds Like a Film Composer

Tom Sailor

Realitone Realivox Blue Review

MIDI Manufacturers Association (MMA)

Supercharge Your Creativity by Exploring the Depths of MIDI

Gino Robair

This Month’s Module: Qu-bit Electronix Chord v2 Review

Alan S. Lenhoff and David E. Robertson

Collecting Keys: The Value of Vintage Instruments

Guest Contributor

From the Book PATCH & TWEAK: Random Sources

Clifton Develle Cameron

Cherry Audio Voltage Modular 2 Review

Larry The O

Acoustic Appropriation

Dan Simpson

ASM Hydrasynth Desktop Review