Synth and Software Newsroom

Williams Allegro IV and Legato IV Digital Pianos

Nick Batzdorf

Soundiron Voices of Rage – the Synth and Software Review

Geary Yelton

Synth and Software, September 2020

Mark Jenkins

Herbie Hancock, Laurie Anderson, John McLaughlin: Pioneers In Concert

Jim Aikin

Kilohearts Phase Plant 2.1 – the Synth and Software Review

Marty Cutler

Cherry Audio Harmonia Hybrid Softsynth: The Synth and Software Review

Kays Al-Atrakchi

Modular Memoirs Part 6

Gerry Bassermann

Composer’s Forum: What Makes a Good Song Idea?

John Krogh

Native Instruments Komplete 14 Production Bundle – the Synth and Software Review

Chris Meyer

Chris Meyer Presents at ARP 2500 ‘Synthposium’ – the Modular Synth’s 50th Anniversary

David Battino

ArduTouch Puts Way-Cool Sounds in Your Hand

Drew Schlesinger

Synth and Software’s Top 10 Synthesists

Rob Shrock

Favorite Piano Sample Libraries: New Synth and Software Series

John McJunkin

PreSonus Notion Mobile 3 – the Synth and Software Review

Chris Stack

Three Vignettes for Moog Subharmonicon and ASM Hydrasynth

Jay Asher

Synth and Software Review: Kirk Hunter’s Latest String Quintet Library

Jeff Burger

Fluid Audio FX80 Point Source Studio Monitors – the Discerning Synth and Software Review

Roger Linn

The Allure of Physical Modeling

Markkus Rovito

Korg Volca Nubass reviewed by Markkus Rovito

Erik Hawk

The Behringer MonoPoly 4-Voice Analog Synth Video Review and Demo

Kim Bjørn

Free Audio Download: The Story of Bob Moog

Patrice Devincentis

Pioneers of Electronic Music: Oram, Anderson, and Dudley

Paul Lehrman

The Kvetch: Love Reason, Hate The New Version

Jim Combs

Korg ARP 2600 FS: A Long-Awaited​ Wish Comes True

Mike Levine

Review: Arturia 3 Delays You Will Actually Use

James Rotondi

UVI Key Suite Bundle Edition Review

Malcolm Doak

Curio Cabinet: Meico Electronics Patch Commander & MIDI Commander (c.1987)

Andy Jones

New Review: Waves StudioVerse and StudioRack Plug-in Chainer

Bill Kopp

Dan Lacksman: The Electronic System Man

Michael Whalen

How to Design Sounds Like a Film Composer

Tom Sailor

Realitone Realivox Blue Review

MIDI Manufacturers Association (MMA)

Supercharge Your Creativity by Exploring the Depths of MIDI

Gino Robair

This Month’s Module: Qu-bit Electronix Chord v2 Review

Alan S. Lenhoff and David E. Robertson

Collecting Keys: The Value of Vintage Instruments

Guest Contributor

From the Book PATCH & TWEAK: Random Sources

Clifton Develle Cameron

Cherry Audio Voltage Modular 2 Review

Larry The O

Acoustic Appropriation

Dan Simpson

ASM Hydrasynth Desktop Review

Don Slepian

Max Mathews and Me

Jerry Kovarsky

Synth and Software’s Top 10 Synth Soloists

Drew Raison

Whatever Happened to Keith Emerson’s Moog?

Stephen Limbaugh

7.2 Steps To Heaven: Dolby ATMOS and Apple Spatial Audio