How to Cheat Tap Tempo (Without Tapping) and Align Free MIDI to Bars and Beats ByNick Batzdorf August 17, 2026October 20, 2026
Native Instruments Absynth 6: the Synth and Software Review ByGeary Yelton April 28, 2026August 13, 2026
Chris Meyer Builds The Ultimate Man-Cave Synth Studio ByNick Batzdorf January 21, 2026January 21, 2026
Spectrasonics Omnisphere 3: the Synth and Software Review ByJohn Krogh November 11, 2025December 2, 2025
Freqport FreqInOut FO1 Hardware Interface: the Synth and Software Review ByNick Batzdorf April 29, 2025December 2, 2025
Cardinal Software Modular Synth – the Synth and Software Review ByJim Aikin February 6, 2025February 6, 2025
Audio Modeling SWAM Instruments – the Synth and Software Review ByNick Batzdorf January 16, 2025January 16, 2025
iZotope Plasma Intelligent Saturation Plug-In: the Synth and Software Review ByNick Batzdorf September 24, 2024June 3, 2025
Presonus HD8 USB-C Audio Interface: the Synth and Software Review ByJohn McJunkin September 24, 2024October 24, 2024
Korg Arp 2600 for Mac/PC – the Synth and Software Review ByGeary Yelton September 17, 2024October 24, 2024
Roland Fantom 8 EX – the Synth and Software Review ByKays Al-Atrakchi September 13, 2024October 24, 2024
The Very Loud Indeed Co. Mobilis Ultimate – the Synth and Software Review ByJohn Krogh July 30, 2024July 30, 2024
Arturia Pigments 5.0 Polychrome Software Synthesizer: the Synth and Software Review ByJim Aikin April 16, 2024April 16, 2024
