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  Jordan Rudess – the Synth and Software Interview

  ByMark Jenkins August 21, 2025December 2, 2025
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  Rick Wakeman’s Endless Tour

  ByMark Jenkins June 3, 2025June 4, 2025
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  Dubreq Stylophone Theremin – the Synth and Software Preview

  ByMark Jenkins February 11, 2025February 11, 2025
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  Tangerine Dream: the Dream Continues

  ByMark Jenkins October 15, 2024October 15, 2024
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  Synth and Software CD Reviews: Rick Wakeman, Carl Palmer, Steve Hillage, Damo Suzuki, Dave Gate

  ByMark Jenkins May 22, 2024May 22, 2024
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  Stream Your Music – What You Need

  ByMark Jenkins January 16, 2024January 16, 2024
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  The Top Ten Techno-Pop Records of All Time

  ByMark Jenkins January 11, 2024January 13, 2024
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  Chiu and Honer: a Synth and Software Interview

  ByMark Jenkins December 19, 2023December 19, 2023
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  From Behringer and Dubreq: Micro Instruments, Mini Reviews

  ByMark Jenkins October 13, 2023December 26, 2023
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  Herbie Hancock, Laurie Anderson, John McLaughlin: Pioneers In Concert

  ByMark Jenkins August 18, 2023August 19, 2023
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  How Much Is Your Old Synth Worth Now?

  ByMark Jenkins July 27, 2023July 28, 2023
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  Ralph Lundsten, 10/6/36 – 7/5/23

  ByMark Jenkins July 6, 2023July 6, 2023
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  Robert Henke, the Ableton Live Pioneer in London

  ByMark Jenkins June 9, 2023June 9, 2023
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  The Return of Colosseum from the Ancient Past

  ByMark Jenkins June 6, 2023June 8, 2023
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  Arturia’s New MiniFreak Synth – the Synth and Software Review

  ByMark Jenkins May 31, 2023December 26, 2023