• 

  Modular Pop – Kaitlyn Aurelia Smith in Europe

  ByMark Jenkins April 18, 2023April 18, 2023
• 

  Philip Glass Shines Again in London – An Interview

  ByMark Jenkins April 4, 2023April 13, 2023
• 

  ASM Hydrasynth Explorer – the Synth and Software Review

  ByMark Jenkins March 16, 2023December 26, 2023
• 

  Moog Mavis Analog Synth Review

  ByMark Jenkins March 13, 2023March 14, 2023
• 

  1PWM Malevolent Semi-modular Analog Monosynth – the Synth and Software Review

  ByMark Jenkins March 13, 2023March 13, 2023
• 

  Steve Hillage: A Music Legend Tours His Classic Albums

  ByMark Jenkins January 13, 2023January 15, 2023
• 

  Five Spectacular Synth Books

  ByMark Jenkins December 16, 2022November 4, 2026
• 

  Manuel Gottsching, September 1952 – December 2022

  ByMark Jenkins December 12, 2022December 14, 2022
• 

  Behringer Pro800 Analog Desktop Synth – a World Exclusive Review

  ByMark Jenkins December 9, 2022November 4, 2026
• 

  Synthplex 2022: The More Detailed Report

  ByMark Jenkins November 8, 2022December 28, 2022
• 

  Folding and Rolling Keyboards – the Incredible Lightness of Blacks and Whites

  ByMark Jenkins October 25, 2022October 25, 2022
• 

  50 Years of Krautrock

  ByMark Jenkins October 19, 2022December 28, 2022
• 

  Synth and Software’s Top Ten Tiny Instruments

  ByMark Jenkins September 22, 2022September 28, 2022
• 

  The Top 14 Moogsploitation Synth Records of All Time

  ByMark Jenkins September 13, 2022September 14, 2022
• 

  Electronic Music in China: tamiX Rocks the Buchla Modular

  ByMark Jenkins August 19, 2022August 20, 2022