Native Instruments Absynth 6: the Synth and Software Review ByGeary Yelton April 28, 2026August 13, 2026
Spectrasonics Omnisphere 3: the Synth and Software Review ByJohn Krogh November 11, 2025December 2, 2025
Odisei Music Travel Sax 2 – the Synth and Software Review ByNick Batzdorf June 26, 2025December 2, 2025
Native Instruments Session Bassist – Jam Bass: the Synth and Software Review ByKays Al-Atrakchi May 28, 2025December 2, 2025
Freqport FreqInOut FO1 Hardware Interface: the Synth and Software Review ByNick Batzdorf April 29, 2025December 2, 2025
“Think Like a Synth” Instructional Video Series by Anthony Marinelli – the Synth and Software Review ByGeary Yelton March 25, 2025March 25, 2025
Dubreq Stylophone Theremin – the Synth and Software Preview ByMark Jenkins February 11, 2025February 11, 2025
Cardinal Software Modular Synth – the Synth and Software Review ByJim Aikin February 6, 2025February 6, 2025
Rastsound Cincescapes Pro – the Synth and Software Review ByJim Aikin February 6, 2025February 6, 2025
Audio Modeling SWAM Instruments – the Synth and Software Review ByNick Batzdorf January 16, 2025January 16, 2025
Cherry Audio Atomika – the Synth and Software Review ByNick Batzdorf November 1, 2024November 1, 2024
iZotope Plasma Intelligent Saturation Plug-In: the Synth and Software Review ByNick Batzdorf September 24, 2024June 3, 2025
Presonus HD8 USB-C Audio Interface: the Synth and Software Review ByJohn McJunkin September 24, 2024October 24, 2024
Korg Arp 2600 for Mac/PC – the Synth and Software Review ByGeary Yelton September 17, 2024October 24, 2024
