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  Serato Sample 2.0 Plug-In – the Synth and Software Review

  ByJohn McJunkin November 9, 2023November 16, 2023
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  Avid Pro Tools – Revisiting it in 2023

  ByNick Batzdorf October 31, 2023December 26, 2023
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  Samplicity Berlin Studio Reverb – the Synth and Software Review

  ByNick Batzdorf October 18, 2023October 18, 2023
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  Cherry Audio PS-3300 Software Synth: the Synth and Software Review

  ByJim Aikin October 10, 2023October 24, 2023
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  Soundiron Voices of Rage – the Synth and Software Review

  ByNick Batzdorf September 21, 2023October 6, 2023
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  Cherry Audio Harmonia Hybrid Softsynth: The Synth and Software Review

  ByMarty Cutler September 11, 2023October 6, 2023
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  Kilohearts Phase Plant 2.1 – the Synth and Software Review

  ByJim Aikin September 5, 2023December 26, 2023
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  Musical Sampling Hoard Mandolin Sample Library: the Synth and Software Review

  ByKays Al-Atrakchi August 15, 2023August 15, 2023
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  PreSonus Notion Mobile 3 – the Synth and Software Review

  ByJohn McJunkin August 10, 2023August 10, 2023
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  Pitch Innovations Fluid Chords – the Synth and Software Review

  ByJim Aikin August 8, 2023August 8, 2023
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  Audio Damage Quanta 2 – the Synth and Software Review

  ByJim Aikin August 4, 2023August 4, 2023
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  Does Your Music Beg For Some Good Grit?

  ByJim Aikin August 2, 2023August 2, 2023
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  Sugar Bytes Cyclop: Grit Gets in Your Eye (the Synth and Software Review)

  ByJim Aikin July 29, 2023August 1, 2023
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  Roland AIRA Compact S-1 Tweak Synthesizer Review

  ByKays Al-Atrakchi July 7, 2023December 26, 2023
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  New Review: Waves StudioVerse and StudioRack Plug-in Chainer

  ByAndy Jones June 30, 2023July 10, 2023