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  The Instrument That Started It All: Exploring the Buchla 100 – Livestream coming up September 19

  BySynth and Software Newsroom September 16, 2026September 18, 2026
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  Capturing the Invisible: A Conversation with Robin Rimbaud (Scanner)

  BySynth and Software Newsroom March 16, 2026March 16, 2026
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  Synth and Software’s Top 10 Synth Soloists

  ByJerry Kovarsky December 3, 2021December 3, 2021
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  Bob Moog Foundation Announces First Minimoog Voyager Ever Sold in New Exhibit at Moogseum

  BySynth and Software Newsroom June 1, 2021June 1, 2021
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  Bat Utility Belt: Hub Will Set You Free

  ByDavid Battino September 8, 2020September 8, 2020
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  The Boston School of Electronic Music 1972–1979

  ByDrew Schlesinger August 20, 2020August 20, 2020
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  In Session Audio Riff Generation 2: Outside In Edition Review

  ByMarty Cutler August 10, 2020August 11, 2020
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  Three Vignettes for Moog Subharmonicon and ASM Hydrasynth

  ByChris Stack August 3, 2020August 3, 2020
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  This Month’s Module: DivKid’s Modulation Sources

  ByChris Meyer July 28, 2020July 28, 2020
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  Teaching Electronic Musical Instrument Design

  ByPaul Lehrman July 8, 2020July 19, 2020
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  Composer’s Forum: What Makes a Good Song Idea?

  ByGerry Bassermann July 6, 2020July 6, 2020
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  Bat Utility Belt: SparkFun Tsunami Super WAV Trigger

  ByDavid Battino July 3, 2020September 18, 2020
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  Pioneers of Electronic Music: Oram, Anderson, and Dudley

  ByPatrice Devincentis July 2, 2020July 2, 2020
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  Composer’s Forum: Virtual Collaborations

  ByGerry Bassermann June 11, 2020June 11, 2020
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  This Month’s Module: Ian Fritz’s Chaos Generators

  ByChris Meyer May 29, 2020May 29, 2020