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  The Great Synth and Software Sampled Banjo Roundup

  ByMarty Cutler March 20, 2025November 4, 2026
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  Native Instruments Session Percussionist: the Synth and Software Review

  ByMarty Cutler July 29, 2024July 29, 2024
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  Glass Orchestra Sample Library for UVI Workstation and Falcon – the Synth and Software Review

  ByMarty Cutler March 21, 2024March 22, 2024
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  Boss GM-800 Guitar Synthesizer System – the Synth and Software Review

  ByMarty Cutler January 23, 2024January 23, 2024
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  UVI Synth Anthology 4 for UVI’s Falcon and Workstation: the Synth and Software Review

  ByMarty Cutler December 12, 2023December 12, 2023
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  Cherry Audio Harmonia Hybrid Softsynth: The Synth and Software Review

  ByMarty Cutler September 11, 2023October 6, 2023
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  Zivix Jamstik MIDI Guitars: the Synth and Software Review

  ByMarty Cutler July 14, 2023July 15, 2023
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  Roli Seaboard Rise MKII MPE Keyboard Controller – the Synth and Software Review

  ByMarty Cutler March 30, 2023April 13, 2023
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  Vir2 Apollo 2: the Synth and Software Review

  ByMarty Cutler March 1, 2023March 3, 2023
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  Cherry Audio Announces GX-80 – and Here’s the Synth and Software Review

  ByMarty Cutler November 22, 2022December 28, 2022
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  Fluidity Expansion for UVI Falcon Hybrid Synth

  ByMarty Cutler November 15, 2022November 16, 2022
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  Impact Soundworks Shreddage 3 Fretless Bass Sample Library – the Synth and Software Review

  ByMarty Cutler September 20, 2022September 27, 2022
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  Spitfire Polaris: the Synth and Software Review

  ByMarty Cutler July 28, 2022July 28, 2022
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  Korg Opsix Native – the Synth and Software Review

  ByMarty Cutler June 1, 2022June 1, 2022
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  Sonic Couture Geosonic II – Global Soundscape Synthesis (The Synth and Software review)

  ByMarty Cutler February 4, 2022February 4, 2022