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  MOTU Digital Performer 11 – The Synth and Software Review

  ByMarty Cutler October 27, 2021December 28, 2021
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  Apple Logic Pro v.10.7 Adds Dolby Atmos Production Features

  BySynth and Software Newsroom October 18, 2021October 18, 2021
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  Upgrade Fever: Apple’s New MacBook Pro Laptops – Desktop Replacements for Musicians?

  ByNick Batzdorf October 18, 2021October 20, 2021
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  ReasonStudios Reason 12: When the Version Number Rolls Over

  ByJim Aikin October 5, 2021October 8, 2021
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  Focusrite Announces Clarett+ — Clarity Redefined

  BySynth and Software Newsroom September 9, 2021September 9, 2021
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  Antelope Audio Galaxy 32 Synergy Core Audio Interface and AD/DA Converter

  BySynth and Software Newsroom August 26, 2021August 26, 2021
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  United Plugins Urban Puncher Adds… Punch – to Percussion

  BySynth and Software Newsroom August 24, 2021August 24, 2021
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  How To Use Apple Logic Pro Arrangement Markers

  ByNick Batzdorf August 18, 2021August 22, 2021
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  Michael Whalen’s Lead Sound on “Future Shock”

  ByNick Batzdorf August 5, 2021September 2, 2021
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  MPE and Multichannel Tracks in MOTU Digital Performer 11

  ByMarty Cutler July 26, 2021August 18, 2021
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  MOTU Digital Performer 11 Adds Support for Apple Silicon

  BySynth and Software Newsroom July 7, 2021July 7, 2021
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  New PreSonus Retro Mix Legends Console Emulations

  BySynth and Software Newsroom June 4, 2021June 4, 2021
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  New 5.0 Upgrade to Presonus Studio One DAW

  ByNick Batzdorf January 25, 2021January 28, 2021
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  Plugin Alliance Launches Lindell Audio 50 Series

  BySynth and Software Newsroom January 12, 2021January 12, 2021
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  The Kvetch: Love Reason, Hate The New Version

  ByPaul Lehrman January 7, 2021January 8, 2021