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  Review: Reason Studios Reason 11

  ByJohn Krogh November 1, 2019December 31, 2020
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  The Allure of Physical Modeling

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  Review: Spitfire Audio Orbis

  ByMarty Cutler November 1, 2019November 7, 2019
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  Composer’s Forum: Harmonic Theory, Part I

  ByGerry Bassermann November 1, 2019March 23, 2020
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  Waves Audio V11 (Version 11) Now Available

  BySynth and Software Newsroom October 28, 2019January 26, 2021
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  A Backstage Interview with M83

  ByGeary Yelton October 24, 2019November 4, 2026
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  Eric Persing Looks Back at the Roland D-50

  ByGeary Yelton October 17, 2019January 12, 2021
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  Historical Artifacts: Roland D-50

  ByGeary Yelton October 17, 2019January 12, 2021
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  Composer’s Forum: Beyond the Jam… Creating Musical Form

  ByGerry Bassermann October 9, 2019March 23, 2020
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  Max Mathews and Me

  ByDon Slepian October 8, 2019October 8, 2019
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  Review: IK Multimedia UNO Drum

  ByMarkkus Rovito October 7, 2019October 22, 2019
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  Synth and Software, October 2019

  ByGeary Yelton October 1, 2019November 1, 2019
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  Editor’s Note: Why Subscribe?

  ByGeary Yelton October 1, 2019November 21, 2019
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  Synth and Software Review: Moog One

  ByMark Jenkins October 1, 2019November 4, 2026
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  Modular Synthesis for Beginners – Oscillators, Part 2: Additive Synthesis

  ByJim Aikin October 1, 2019November 19, 2019