• 

  Yamaha’s Synth History Timeline and OS Updates

  ByGeary Yelton September 23, 2019January 12, 2021
• 

  HISTORICAL ARTIFACTS: The Roland Jupiter-8

  ByGeary Yelton September 18, 2019October 1, 2019
• 

  Electronic Guitarist Adrian Belew Reveals His Secrets

  ByGeary Yelton September 16, 2019September 16, 2019
• 

  Review: UJAM Virtual Bassist Mellow

  ByMarty Cutler September 10, 2019September 10, 2019
• 

  New Ways to Arpeggiate with Spectrasonics Omnisphere

  ByGeary Yelton September 9, 2019September 10, 2019
• 

  Guitar vs. Synth: Who’s in Charge Here?

  ByMarty Cutler September 9, 2019September 9, 2019
• 

  Watch This: Rob Schwimmer Plays Dueling ContinuuMinis

  BySynth and Software Newsroom September 4, 2019September 8, 2019
• 

  Editor’s Note: The Future of Magazines

  ByGeary Yelton September 3, 2019October 1, 2019
• 

  Synth and Software, September 2019 Issue

  ByGeary Yelton September 3, 2019February 4, 2020
• 

  Review: Bitwig Studio 3

  ByMarkkus Rovito September 3, 2019October 29, 2019
• 

  Review: United Plugins/JMG Audio Hyperspace

  ByMike Levine September 3, 2019September 2, 2019
• 

  On the Scene at Moogmentum

  ByGeary Yelton September 3, 2019November 4, 2026
• 

  Modular Synthesis for Beginners – Oscillators, Part 1: Analog Waves

  ByJim Aikin September 3, 2019March 18, 2020
• 

  Replacing Keyboards: Adventures Across the Fourths Dimension

  ByRoger Linn September 3, 2019December 28, 2021
• 

  Composer’s Forum: How to Develop New Ideas and Manage Your Inspiration

  ByGerry Bassermann September 3, 2019March 23, 2020