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  Introducing MuSOS for Musicians Everywhere

  BySynth and Software Newsroom July 30, 2020July 30, 2020
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  Behringer Beat: 960 Sequential Controller Review

  ByMark Jenkins July 29, 2020November 4, 2026
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  Sequential Adds User Wavetable Import to Pro 3 Synth

  BySynth and Software Newsroom July 29, 2020July 29, 2020
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  This Month’s Module: DivKid’s Modulation Sources

  ByChris Meyer July 28, 2020July 28, 2020
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  Synthetic Sound Labs Announces 1240 Dual Slope Generator

  BySynth and Software Newsroom July 24, 2020July 24, 2020
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  IK Multimedia Releases T-RackS® Space Delay Plug-in

  BySynth and Software Newsroom July 21, 2020July 21, 2020
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  Electro-Harmonix Introduces the 1440 Stereo Looper

  BySynth and Software Newsroom July 21, 2020July 21, 2020
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  UVI Key Suite Bundle Edition Review

  ByJames Rotondi July 20, 2020July 20, 2020
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  Celemony Melodyne 5 Review

  ByJeff Burger July 17, 2020July 17, 2020
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  Impact Soundworks Launches inSIDious Soft Synth

  BySynth and Software Newsroom July 16, 2020July 16, 2020
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  Unique Tube-Based Knifonium Synthesizer Is Now a Plug-In

  ByGeary Yelton July 14, 2020July 14, 2020
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  Applied Acoustics Systems Ultra Analog VA-3 Review

  ByMarty Cutler July 10, 2020July 10, 2020
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  Teaching Electronic Musical Instrument Design

  ByPaul Lehrman July 8, 2020July 19, 2020
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  PreSonus Studio One 5 Delivers New Capabilities, Including MPE

  BySynth and Software Newsroom July 7, 2020July 7, 2020
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  Composer’s Forum: What Makes a Good Song Idea?

  ByGerry Bassermann July 6, 2020July 6, 2020