• 

  macOS Updates and Music Software – An Angry Rant

  ByNick Batzdorf February 21, 2024March 12, 2024
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  Discover CSound – Free, Expert-level Software for Synthesis and Composition

  ByJim Aikin February 13, 2024March 2, 2024
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  Stream Your Music – What You Need

  ByMark Jenkins January 16, 2024January 16, 2024
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  The Top Ten Techno-Pop Records of All Time

  ByMark Jenkins January 11, 2024January 13, 2024
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  What has Dom Beken Been Up To?

  ByJohn McJunkin January 5, 2024January 6, 2024
• 

  Chiu and Honer: a Synth and Software Interview

  ByMark Jenkins December 19, 2023December 19, 2023
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  Avid Pro Tools – Revisiting it in 2023

  ByNick Batzdorf October 31, 2023December 26, 2023
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  Herbie Hancock, Laurie Anderson, John McLaughlin: Pioneers In Concert

  ByMark Jenkins August 18, 2023August 19, 2023
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  How Much Is Your Old Synth Worth Now?

  ByMark Jenkins July 27, 2023July 28, 2023
• 

  Focal Shape 65 Monitors and Sub One Subwoofer: the Synth and Software Review

  ByNick Batzdorf July 7, 2023July 7, 2023
• 

  Ralph Lundsten, 10/6/36 – 7/5/23

  ByMark Jenkins July 6, 2023July 6, 2023
• 

  New Review: Waves StudioVerse and StudioRack Plug-in Chainer

  ByAndy Jones June 30, 2023July 10, 2023
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  Mark Jenkins Releases “The Dark Side of the Moon and Other Music by Pink Floyd for the Moog Synthesizer”

  BySynth and Software Newsroom June 15, 2023July 7, 2023
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  Ten Questions: Michael Whalen on his ‘Our April Tigers’ Album

  ByNick Batzdorf June 12, 2023June 12, 2023
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  Robert Henke, the Ableton Live Pioneer in London

  ByMark Jenkins June 9, 2023June 9, 2023