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  Philip Glass Shines Again in London – An Interview

  ByMark Jenkins April 4, 2023April 13, 2023
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  Coming April 12: Orchestral Tools Pēteris Vasks Strings Sample Library

  BySynth and Software Newsroom March 29, 2023March 29, 2023
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  Steve Hillage: A Music Legend Tours His Classic Albums

  ByMark Jenkins January 13, 2023January 15, 2023
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  Manuel Gottsching, September 1952 – December 2022

  ByMark Jenkins December 12, 2022December 14, 2022
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  50 Years of Krautrock

  ByMark Jenkins October 19, 2022December 28, 2022
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  2022: ARP Odyssey SynthPosium

  BySynth and Software Newsroom October 19, 2022October 19, 2022
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  Vangelis – A Memorial by Mark Jenkins

  ByMark Jenkins May 20, 2022May 20, 2022
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  Vangelis, 3/29/43- 3/17/2022 :(

  ByNick Batzdorf May 19, 2022May 20, 2022
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  Klaus Schulze, August 4, 1947 – April 26, 2022

  ByMark Jenkins April 28, 2022April 28, 2022
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  Moog Music’s New GIANTS Documentary Series Details the Early Days of Electronic Music

  BySynth and Software Newsroom February 9, 2022February 9, 2022
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  Synth and Software’s Top 10 Synthesists

  ByDrew Schlesinger November 16, 2021November 4, 2026
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  Championing Electronic Music in France – the Bam Balam Label

  ByMark Jenkins October 12, 2021October 12, 2021
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  “Missions” Sci-Fi TV Series— Etienne Forget’s Striking Music

  ByMark Jenkins September 8, 2021September 8, 2021
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  Ernesto Romeo Answers the Question, “How Many Synths Do You Need?” Just One More…

  ByMark Jenkins December 17, 2020December 22, 2020
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  Synth and Software, August 2020

  ByGeary Yelton August 3, 2020September 1, 2020