Covers
Synth and Software, November 2020
About this Month’s Cover
There’s nothing like a piano, except for a painting of one or a sampled one.
This month’s cover is in the former category, and it’s by Dr. Ulrich Batzdorf. We’re featuring it because software pianos are the backbone of almost every musician’s instrument arsenal. They blend perfectly with synths and every other instrument, and the ear never tires of them.
Of course, the ideal is a well-maintained acoustic piano that’s perfectly in tune, recorded well in a great room. But those are big and expensive caveats, and in fact, most of the excellent plug-in pianos available today have it all over an acoustic piano that falls short in either area.
We have
Nick Batzdorf, Content Director
Synth and Software
Check out what’s In The Issue.
Sound Magic China Ensemble Hybrid Modeling Plug-In
New Trinz – Colours PST Sample Library
Expressive E Imagine… the Possibilities
Apple Logic Pro v.10.7 Adds Dolby Atmos Production Features
Upgrade Fever: Apple’s New MacBook Pro Laptops – Desktop Replacements for Musicians?
Born Free – As Free as This Free Softsynth Goes
Auto-Tune Vocodist – Vocoder Modeling Plug-in from Antares Audio Technology
Xaoc Devices Introduces Two New Modules
New Applied Acoustics Systems Sound Pack, Humanized
Cherry Audio Stardust 201 Tape Echo Plug-In
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In This Issue4 weeks agoBorn Free – As Free as This Free Softsynth Goes
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Effects4 weeks ago
Auto-Tune Vocodist – Vocoder Modeling Plug-in from Antares Audio Technology
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Analog4 weeks ago
Xaoc Devices Introduces Two New Modules
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In This Issue4 weeks ago
New Applied Acoustics Systems Sound Pack, Humanized
