Learning about synthesizers doesn’t have to be a struggle...
Those of us who have worked with them for years can breeze past the basics without stopping. For beginners, though, that’s a recipe for confusion. I can’t teach you everything in these basics-oriented columns, but I can give you a foundation to build on.
I first encountered synths in 1976, when I began working as Keyboard magazine’s assistant editor. At first, I had no idea what all those knobs and sliders did, but I had fun poking around. A few months later, I started editing Bob Moog’s monthly column. When I had questions, I could pick up the phone and ask the man himself. You couldn’t get a better education than that.
Since then, the basics haven’t changed much—oscillators, filters, and envelope generators—but a bunch of new branches have sprouted. My column can help you learn your way around unfamiliar territory and give you a firm grasp of the basics and beyond.
Modular Synthesis for Beginners Lessons
If you don’t have a thorough understanding of what FM synthesis is or how it works, start here. FM synthesis has always had a reputation
How to shape your sounds with envelope generators. Every synthesizer, even the most primitive, has at least one envelope generator. Most have two or more.
Modulation changes everything when you route control signals from sources to destinations. Turning knobs by hand while a synthesizer is producing a tone is a
Modular Synthesis for Beginners… Modular Synthesis for Beginners with Jim Aikin When synthesizers first started to take off, back in the ’60s and ’70s, oscillators
If you’re going to be programming synthesizers, you’ll need to understand what oscillators do. The sounds produced by synthesizers come from modules called oscillators. A